Sixteenth-Century Vocal Counterpoint | Course Description
Baroque Counterpoint | Course Description

(Dr. Gordon J. Callon)

Course Description (contents)

Other Useful Web Sites for Special Studies in Music History:

General Reference Sources		Bibliographies	Notation
Timelines & Chronologies	Instruments	Music Technology
Research Methodology Courses		Online Student Projects	Online Journals
Online Music Scores (to Download)		Score Links	Careers in Music
Acadia Early Music Archive	[FTP Directory]	[Facsimile Archive]	Facsimiles
Renaissance, Baroque, and Classical Era Music: Composers		Classical Era Music	Iconographic sources
Renaissance Music History	Baroque Music History	Art History	General Composer Reference
Online Indexes & Research Databases		Reference Sources and Resources for Papers
Grove Music Online   [Open access only to general information and demos; full access only by subscription]
Vaughan Memorial Library	Libraries, Archives, and Museums	Internet Resources, Libraries	Museums
Online Catalogue (WebCat)	General / Lists of Libraries	Specific Libraries	Online Archives

Online Student Projects

Facsimiles of Primary Sources
	Facsimiles of woodcuts (by Michael Wohlgemuth, Wilhelm Pleydenwurff, and Albrecht Dürer) from: The Nuremberg Chronicle (1493) [Michelle Muggridge, from an original 1493 printing of The Nuremberg Chronicle in the Acadia University Special Collections.]
	Introduction: Nuremberg Chronicle (The Book of Chronicles from the Beginning of the World) (Michelle Muggridge)
	Title Page (facsimile)
	Directory of files [To view facsimiles, click on the *.htm file names.]
	Facsimiles of pages from: Charles Burney, A General History of Music, from the Earliest Ages to the Present Period (London, 1776–1789), Vol. IV. [Marlene Murtonen, from an original of Burney's History in the collection of Gordon J. Callon.]
	Facsimiles of Excerpt from: Louis Moreau Gottschalk, Notes of A Pianist (London, 1881) [Michelle E. Keddy]

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