[Third Edition]

All editions transcribed and edited from Primary Sources by Gordon J. Callon
All facsimiles taken directly from Primary Sources

	Hughe Ashton, A Hornpipe. Facsimile from John Stafford Smith, Musica Antiqua...[ca. 1812], 82-84.	1
	Orlando Gibbons, The Queenes Command. Facsimile from J.S. Smith, Musica Antiqua...[ca. 1812], 75-76	4
	Alonso Mudarra, "Si me llaman a mi" from Tres libros..., 1546 (lib. III no. 22)	6
	Alonso Mudarra, "Triste estaba el rey David" [David's lament] from Tres libros..., 1546 (lib. III no. 5, sig. b8-c)	10
	Emilio de Cavalieri, "O che nuovo miracolo" (Ballo from Intermedio VI for La Pellegrina, 1589)	12
	Alessandro Piccinini, Toccata VI (Intavolatura di liuto, et di chitarrone Libro primo, 1623, pp. 100-101), for chitarrone	25
	Alessandro Piccinini, Chiaccona in partie variate (Intavolatura di liuto, et di chitarrone Libro primo, 1623, p. 121), for chitarrone	30
	John Dowland, "Time stands still" (The Third and Last Booke of Songs or Ayres, 1603, no. 2)	32
	John Danyel, "Like as the lute delights" (Songs for the Lute and Voice, 1606, no. 4)	36
	John Bartlet, "Sweet birds deprive us never" (A Book of Ayres, 1606, no. 19-21)	44
	Anonymous, "This merry pleasant spring" (The Turpyn Book [Ck Rowe MS 2], fol. 9v-10v)	64
	Alfonso Ferrabosco, "So beautie on the water stood" (Ayres, 1609, no. 21)	70
	Thomas Ravenscroft, "Of all the birds that ever I see" (Deuteromelia, 1606, no. 7)	73
	Thomas Ravenscroft, "Browning madame" (Deuteromelia, 1606, no. 9)	76
	Thomas Ravenscroft, "Tomorrow the fox will come to towne" (Deuteromelia, 1606, no. 20)	77
	Thomas Ravenscroft, The Cryers Song of Cheape-Side (Melismata, 1611, no. 14)	80
	Antoine Boësset, "Divine Amarillis" (Airs de cour avec tablature de luth..., XV, 1632, fol. 17v-18)	88
	Luca Marenzio, "Quell' Augellin che canta" (Il settimo libro de madrigali, 1595, no. 2)	90
	Orlando Gibbons, "What is our life?" (The First Set of Madrigals and Mottets, 1612, no. 14)	98
	Luzzasco Luzzaschi, "I mi son giovinetta" (Madrigali, 1601, pp. 16-19)	110
	Luzzasco Luzzaschi, "O dolcezz' amarissime d'amore" (Madrigali, 1601, pp. 20-25)	116
	Claudio Monteverdi, "Come dolce" (Madrigali e canzonette, 1651)	128
	Claudio Monteverdi, "Zefiro torna" (Madrigali e canzonette, 1651)	133
	Giulio Caccini, "Ardi, cor mio" (Le nuove musiche, 1601, p. 28)	140
	Giulio Caccini, "Amor ch'attendi" (Nuove musiche e nuova maniera di scriverle, 1614, p. 41)	142
	Claudio Monteverdi, L'Orfeo, favola in musica, excerpts [Act II]	143
	Claudio Monteverdi, Lamento d'Arianna (Venice: Bartolomeo Magni, 1623)	154
	Sigismondo d'India, "Amico hai vin'to" (Le Musiche...Libro quarto, 1621, pp. 15-17	159
	Sigismondo d'India, Lamento d'Olimpia ("Misera me, sia vero") (Le Musiche...Libro quinto, 1623, pp. 17-21)	164
	Sigismondo d'India, "Torna il sereno Zefiro" (Le Musiche...Libro quinto, 1623, p. 22	174
	Francesca Caccini, "O che nuovo stupor" (Il primo libro delle Musiche, 1618, pp. 43-46)	176
	Girolamo Frescobaldi, Sonetto spirituale. Maddalena alla Croce: "A pie della gran croce" (Primo libro d'arie mvsicali..., 1630, pp. 15-16)	182
	Girolamo Frescobaldi, Aria a voce sola: "O mio cor" (Secondo libro d'arie mvsicali...,1630, pp. 22-23)	184
	Luigi Rossi, "Mio ben, te col tormento" (British Library, Harley MS 1501, fol. 33-33v) ["Mio ben decoil tormento più", Canzone Prima...]	186
	Barbara Strozzi, La Vittoria: "Il gran Giove" (Il primo de' madrigali, 1644)	188
	Barbara Strozzi, Amor dormiglione: "Amor, amor non dormir piu" (Cantate...Op. 2, Venice, 1651, pp. 63-64)	191
	Barbara Strozzi, Lamento: "Lagrime mi" (Diporti di Euterpe...Opera settima, Venice 1659, pp. 76-88)	194
	Giacomo Carissimi, Lamento di Maria Stuarda: "Ferma, lascia ch'io parli" (British Library, Harley MS 1265, fol. 1-12v)	202
	Anonymous (French), "Hola, hola Charon" (Airs de different auteurs, mis en tablature de lvth..., 1615, fol. 53v-56v)	214
	[?Robert Johnson], "See the chariot at hand" / "Have you seen the white lily grow?" (New York Public Library, Drexel MS 4257, no. 2	220
	Walter Porter, "Farewell once my delight" (Madrigals and Ayres, 1632, no. 15)	222
	William Webb, "As life, what is so sweet?" (British Library, Add. MS 29,481 fol. 6)	228
	John Wilson, "Take, oh take those lips away" (British Library, Add. MS 11,608 fol. 56)	230
	The Treasury of Musick...1669. Facsimile of title page	232
	Nicholas Lanier, "Like hermit poor" & John Wilson, "Take, o take those lips away". Facsimile from The Treasury of Musick...1669, I p. 1	233
	Anonymous (Italian, from English source), "Dove, dove, corri, mio core?" (Select Ayres and Dialogues, Book 2. London: Playford, 1669, p. 97 [misnumbered 89])	234
	William Lawes, "The Cats" (British Library, Add. MS 31,432, fol. 22v–23v)	236
	John Banister, "Come unto these yellow sands" (The Ariels Songs in the Play call'd the Tempest, [ca. 1675]	243
	John Blow, The Self Banished: "It is not that I love you less" (Amphion Anglicus, 1700, p. 91)	244
	Henry Purcell, "Hark how the songsters" (Orpheus Britannicus II pp. 76-80)	246
	Harmonia Sacra; Or, Divine Hymns and Dialogues...1688. Facsimile of title page	254
	Henry Purcell, An Evening Hymn: "Now, now that the sun". Facsimile from Harmonia Sacra...1688, pp. 1-3	255
	Alessandro Scarlatti, Cantata: "Quella pace gradita" (Münster, Diözesanbibliothek, MS Sant. 864 fol. 5-15v.)	259
	Andante—Andante	259
	Recitativo	265
	[Aria] Adagio	266
	[Recitativo]	270
	Aria Andante	270
	[Recitativo]	274
	[Aria] Adagio	276
	William Byrd, Fantasia	282
	Giovanni Paolo Cima, Sonata violino & violone (Concerti Ecclesiastici, 1610, pp. 147-153)	288
	Giovanni Paolo Cima, Sonata à 3. Violono, cornetto, & violone (Concerti Ecclesiastici, 1610, pp. 152-158)	294
	Giovanni Gabrieli, Sonata con tre violini (Canzoni e sonate, 1615)	300
	Giovanni Battista Fontana, Sonata 16 à 3 Violini (Sonate, 1641)	306
	Biagio Marini, Sonata Sopra Fuggi (Diversi generi di sonate, da chiesa, e da camera, op. 22, 1655)	317
	[more details about Sonata Sopra Fuggi]
	Biagio Marini, Sonata: Passacalio à 3. & à 4. (Diversi generi di sonate, da chiesa, e da camera, op. 22, 1655)	326
	Massimiliano Neri, Sonata (Sonate, op. 2, Venice 1651)	330
	Arcangelo Corelli, Sonate a violino...Opera qvinta...1700. Facsimile of title page	345
	Arcangelo Corelli, Sonata a violino III. Facsimile from Sonate a violino...Opera qvinta...1700 (pp. 15-21)	346
	Archangelo Corelli, Sonata Op. V, no. 6 (Sonate a violino...Opera qvinta...1700)	354
	Grave	354
	Allegro	355
	Allegro	358
	Adagio	360
	Allegro	361
	Dietrich Buxtehude, Trio Sonata in G Major	364
	Antonio Vivaldi, Trio Sonata, Op. I no. 7	386
	Preludio Largo	386
	Allemanda Allegro	387
	Sarabanda Andante	390
	Giga Presto	392
	George Frideric Händel, Trio Sonata, Op. V no. 2	395
	Adagio	395
	Allegro	396
	Musette Andante	399
	Allegro	400
	Musette Andante	404
	Marche	405
	Gavotte Allegro	407
	Jean-Philippe Rameau, Pieces de clavecin en concerts, Premier concert	408
	[In score only, for violin, bass viol, and clavecin; alternate flute indications are not included.]
	I. La Coulicam: Rondement	408
	II. La Livri: Rondeau gracieux	414
	III. La Vézinet: Gaîment, sans vitesse	417
	Claudio Monteverdi, Confitebor a due voci con due violini (Messa a quattro voci, et salmi..., 1651)	423
	Heinrich Schütz, "Ich will den Herren loben allezeit" (Kleine geistliche Konzerte II 1)	439
	Henry Lawes and William Lawes, Choice Psalmes...Cantus primus...1648.. Facsimile of title page	443
	William Lawes, "Judah in exile wanders" (Choice Psalmes, 1648, no. 6)	444
	William Lawes, "Behold, how good and joyful a thing it is" (Choice Psalmes, 1648, no. 13)	447
	William Lawes, "O sing unto the Lord a new song" (Choice Psalmes, 1648, no. 14)	451
	William Lawes, "Judah in exile wanders" Facsimile from Choice Psalmes...Cantus primus, 1648, no. 6	458
	William Lawes, "Behold, how good and joyful a thing it is" Facsimile from Choice Psalmes...Cantus primus, 1648, no. 13	459
	William Lawes, "O sing unto the Lord a new song" Facsimile from Choice Psalmes...Cantus primus, 1648, no. 14	460
	William Lawes, "I am weary of my groaning" Facsimile from Choice Psalmes...Cantus primus, 1648, no. 15	461
	Claudio Monteverdi, "Exulta, filia Sion" (Lorenzo Calvi, Quarta raccolta de sacri canti...1629, no. 1)	462
	Heinrich Schütz, "Ich werde nich sterben, sondern leben", Symphoniarum sacrarum, secunda pars (Dresden, 1647), no. 6	468
	Heinrich Schütz, "Ich danke dir, Herr", Symphoniarum sacrarum, secunda pars (Dresden, 1647), no. 7	475
	Heinrich Schütz, "Von Aufgang der Sonnen", Symphoniarum sacrarum, secunda pars (Dresden, 1647), no. 22	482
	Francesco Cavalli, "Nisi Dominus" (Psalm 126), Musiche sacre concernenti (Venice, 1656)	492
	Francesco Cavalli, Agnus Dei, Musiche sacre concernenti (Venice, 1656)	537
	Francesco Cavalli, Canzon à 8, Musiche sacre concernenti (Venice, 1656)	547
	Henry Purcell, "O Sing unto the Lord" (The Gostling Manuscript, pp. 124-137)	561
	Henry Purcell, An Evening Hymn: "Now, now that the sun". Edition from Harmonia Sacra...1688, pp. 1-3	589
	Claudio Monteverdi, L'incoronazione di Poppea, final duet, "Pur ti miro, Pur ti godo"	592
	Henry Purcell, "Let the dreadful engines", from Don Quixote, Part I (1694), Act IV, Scene 1 (Orpheus Britannicus I, pp. 243-248	595
	Henry Purcell, "You twice ten hundred deities" / "By the croaking of the toad", from The Indian Queen (1695), Act III, Scene 2 (Orpheus Britannicus I, pp. 25-28	600
	Henry Purcell, The God of Dreams ("Seek not to know what must not be reveal'd"), from The Indian Queen (1695), Act III, Scene 2 (Orpheus Britannicus I, pp. 28-32	605
	Arcangelo Corelli, Sonata da camera, Op. II no. 2 (1685).	610
	Arcangelo Corelli, Sonata da chiesa, Op. III no. 8 (1689).	614
	Antonio Vivaldi, Concerto Grosso, Op. III no. 8, first movement	621
	George Frideric Händel, "Caro figlio!", La Resurrezione, Pt. II	631
	George Frideric Händel, Symphonia and aria, "V'adoro pupille", Giulio Cesare, Atto III sc. 2	634
	George Frideric Händel, "Da tempeste il legno infranto", Giulio Cesare, Atto III sc. 9	642

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